Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
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Vote on scenes, quotes, and characters for Coda I + Coda II (2013).
The moment that still lives in your head.
Starters for Coda I + Coda II
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