This weird short manages to pack in fraud, murder, alcoholism and transvestitism, with two somewhat obvious plot twists but a acertain amount of interest in the characterisation and mise-en-scene. You can see Losey's long-take style in its early stages. If anything, his filming is TOO articulate, tipping his hand and giving away plot turns before they happen.
Rank what matters in A Man on the Beach (1955) — scenes, quotes, and characters from this title.
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Michael Ripper
