"The theater is about sex." At least according to Richard Foreman, the father of the Ontological Hysterical Theater. THE ONTOLOGICAL COWBOY documents Foreman’s invocation of the "manifest destiny" of the avant-garde theater, King Cowboy Rufus strolling down off San Juan Hill with a sigh, waving his handkerchief. Foreman plays himself, and the cast pantomimes his preoccupations. If "the cast and crew suffer alike," it’s all for a good cause: the violent rebirth of the American theater, with Foreman as its midwife.
Rank what matters in The Ontological Cowboy (2005) — scenes, quotes, and characters from this title.
Who carries this title?
From this cast
Tap to nominate
Your take
Rate this title
Tap half or full stars · 0.5–10 scale
Be the first CineMood rating
Open communitySign in to save your rating.
None yet
See allJuliana Francis
