A labyrinthine portrait of Czech culture on the brink of a new millennium. Egon Bondy prophesies a capitalist inferno, Jim Čert admits to collaborating with the secret police, Jaroslav Foglar can’t find a bottle-opener, and Ivan Diviš makes observations about his own funeral. This is the Czech Republic in the late 90s, as detailed in Karel Vachek’s documentary.
Rank what matters in Bohemia Docta or the Labyrinth of the World and the Lust-House of the Heart (A Divine Comedy) (2000) — scenes, quotes, and characters from this title.
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