Although its title indicates three personalities, the heroine of cult filmmaker Hisayasu Sato’s downbeat multiple-personality tale actually exhibits four, going from loving wife to crazed slut to insane child to depressed adolescent. As usual, Sato fills the film with alienation, kinky sex, and psychological subplots.
Rank what matters in Hitozuma gômon: Sandan-zeme (1992) — scenes, quotes, and characters from this title.
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