
Compressing one idle day in the life of a young artist by rotating the camera through his room, a sort of a self-portrait of Lordan Zafranović resembles a one-shot film, its grainy photography and moody music suggesting a meditative atmosphere characteristic for Split authors of his generation.
Rank what matters in Diary (1964) — scenes, quotes, and characters from this title.
Who carries this title?
From this cast
Tap to nominate
Your take
Rate this title
Tap half or full stars · 0.5–10 scale
Be the first CineMood rating
Open communitySign in to save your rating.
None yet
See all