

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.
Rank what matters in Ifigenia, la película (1987) — scenes, quotes, and characters from this title.
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Jean Carlo Simancas
Gabriel Olmedo