Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process.
Rank what matters in After Manet, After Giorgione – Le Dejeuner sur l'Herbe or Fete Champetre (1975) — scenes, quotes, and characters from this title.
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Annabel Nicolson
