A young filmmaker advocates the creation of a new type of film, devoid of a traditional plot and composed of blocks of sequences that have no specific interdependence. Subsequently, the theoretical statement leads to practical demonstration: abstract images flow across the screen, accompanied, for the most part, by snippets of conversation on a wide variety of topics.
Rank what matters in Satellite (1968) — scenes, quotes, and characters from this title.
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Giovanni Rosselli
