The feeling of life in Munich in the 70s through the eyes of one of the most stylish filmmakers of that time.
A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."
Rank what matters in Champagner für die Augen - Gift für den Rest (2022) — scenes, quotes, and characters from this title.
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See allSylvie Winter
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